The Late Late Show: Two Times Blue Live Appearance

Debbie is in Europe doing publicity for "Necessary Evil" which comes out in Ireland and the UK this week. Keep your eyes peeled, you never know where she may show up! She just appeared on Ireland's "The Late Late Show" performing "Two Times Blue". Check it out on YouTube:

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Debbie At Fashion Week

Debbie appears in New York at Fashion Week.

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Two Times Blue Remixes Released

Debbie's new remixes for "Two Times Blue" have been released in the US by eMusic.

If you use the following link, you can get 25 free downloads, which you can use to download the new mixes, including some that are exclusive to eMusic (offer valid to US billing addresses only):

25 Free Downloads

eMusic's downloads are standard MP3s with NO copy protection, which means you can use them on your iPod or any other MP3 compatible digital device or burn them to CD with no restrictions.

The tracks include the original version, mixes by Soul Seekerz and Stonebridge, and a special acapella!

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Evolution Of Media: Necessary Evil Review

"Necessary Evil puts Harry on a whole other level than her modern counterparts, and is sure to thrust her front and center back into the spotlight she deserves. She's the original bottle blonde front-woman turned solo artist, and people like Gwen Stefani owe this icon some love. You can hear some traces of Stefani's Love.Angel.Music.Baby on Necessary Evil: they're two albums that are both ambitious in direction, ear pounding in sound. But Necessary Evil comes out on top, sounding more like the older, maturer, wiser sister on this one. The one you can trust."

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God Is In The TV: Necessary Evil Review

"While this is only a five track sampler, it’s certainly obvious that 'Necessary Evil' is a veritable platter of influences, with each track taking a different approach musically, yet all remain stamped with her idiosyncratic vocal stylings. As the album progresses, the songs become more experimental, with 'Charm Alarm' and the obscurely delivered 'Whiteout' being the most abstract, with a Kate Nash, or even Lilly Allen brat-like nuance. However, each chorus the album offers is jam packed with the anthemic guitars, straight ahead drums, and elegant cool that graced the best of Blondie’s material."

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